Create round, wavy, and pointy shape strokes with the new parameters - Taper and Wave, and animate the strokes to create unique graphics.
Adobe After Effects 2020 17.7 Make a big scene bigger. Create cinematic movie titles, intros, and transitions. Start a fire or make it rain. Learn about new features and enhancements in the May 2020 release of After Effects (version 17.1) Tapered shape strokes. Create round, wavy, and pointy shape strokes with the new parameters - Taper and Wave, and animate the strokes to create unique graphics. Concentric shape repeaters.
New parameters in the Offset Paths shape effect allow you to make copies of a path that radiate outward or inward enabling you to create unique background that have a retro vibe.
You can now import and edit ProRes RAW files in After Effects.
Set the Audio Hardware preferences on macOS to System Default to automatically switch to changes in the OS audio device settings, such as when connecting to USB.
In Team Projects, you can now copy the project media to a shared location for multi-user access.
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Collaborate on shared projects while working remotely.
When you create a shape layer stroke, you can use the new parameters - Taper and Wave to create wavy, pointy, or rounded strokes. You can vary the thickness of the shape strokes, modify the intensity of the tapering, and also animate the appearance of the strokes to create unique graphic elements, and create more expressive shape animations.
For more information, see How to taper shape strokes.
The Offset Paths shape effect has two new parameters:
Create geometric patterns, and concentric duplicates of shapes using these new parameters. You can use these to create designs with a retro vibe, and mandala patterns.
For more information, see Use Offset Paths shape effect to alter shapes.
After Effects now offers the ability to import and edit Apple ProRes RAW media on properly configured systems.
For more information, see ProRes RAW Support in Adobe Video Applications.
Set Audio Hardware preferences to System Default on macOS to switch changes in the OS audio device settings, such as when connecting headphones or AirPods, or plugging in a USB microphone. You can configure this separately for input and output devices, providing control and flexibility for different editing environments.
When using Team Projects, you can copy project media to a shared location such as network attached storage, Adobe Creative Cloud, or a Dropbox folder for multi-user access.
For more information, see Add and manage media in Team Projects.
Create multiple versions of projects and collaborate on shared progress when working remotely.
Make a big scene bigger. Create cinematic movie titles, intros, and transitions. Start a fire or make it rain. Animate a logo or character. With After Effects CC, the industry-standard animation and creative compositing app, you can take any idea and make it move. There’s nothing you can’t create with After Effects. Animators, designers, and compositors use After Effects to create motion graphics and visual effects for film, TV, video, and the web. Roll credits. Spin words. Twirl titles. Create animated titles, credits, and lower thirds. Start from scratch or with one of the animation presets available right inside the app. From spin to swipe to slide, there are countless ways to make your text move with After Effects. Explosive effects. Mind-blowing results. Combine videos and images to send a UFO across the sky, blur out a logo, or create an explosion the possibilities are endless. After Effects has hundreds of effects to get just the look you want, from adding fog to changing colors to making it snow. Get animated. Set anything in motion using keyframes, including logos, shapes, and cartoons. Add sound for really amazing results. Plays well with others. After Effects works together seamlessly with other Adobe apps. Edit comps and immediately see how they look in Premiere Pro CC with Adobe Dynamic Link. Easily import work from Photoshop CC, Illustrator CC, and Audition CC. And use Adobe Team Projects to collaborate with editors no matter where they’re located.
The big one for this release is speed and stability. The programmers have focused themselves on performance. Adobe have worked very hard to make this huge software is more responsive and this can be seen in many places. The main one which will be immediately obvious to nearly all users, is preview playback optimisation: not only is After Effects creating the ram preview for your project quicker, but once done, you should be able to play back your project in real time, even while you’re interacting with the user interface.
Of course, we say “should”, because as always when working with complex files, projects and effects, there could be instances where it’s clear Adobe still has some work to do. However, during our interaction with the app for this review, we did find the interface to be more responsive, playback to be more fluid, and the whole interface on the whole to be a lot more stable. We’ve noticed performance boosts when using Shape layers, certain expressions were sped up, And the Content Aware Fill feature also greatly benefited from this.
But what’s Content Aware Fill we hear you ask? That’s one of the big ones that were introduced between 2017 and 2020, and is a great new addition to After Effects. We’re well aware this isn’t actually a new feature introduced with the latest release, but it’s so important, we felt we needed talking about it. Photoshop users undoubtably have been aware of a similar feature for a while: it allows you to remove an object from the screen and the background to be seamlessly extended over this gap to essentially make that object disappear. What you could do with a still image in Photoshop, you can now do to video in After Effects. As always, your results will depend on your clip’s content, and we found simple a background yields much better results.
However, you can also see the huge advantage Adobe has in controlling so many properties: in order to improve the effect, you can create a reference frame. Activating this bring said frame into Photoshop, where you can work on removing the offending object, by using that app’s Content Aware Fill to recreate the background. Once done, After Effects will then use that altered frame as a reference to improve its own calculation and give you a more seamless result for your clip.